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The first I knew about this was in the early days of raising capital for the project. One morning a big box of dinosaur kits was
dumped
on my workbench. Bob’s plan? He felt a few bonus dino pictures
would help sell the Lost World script to potential investors,
and so at his request the models were assembled, painted and
then photographed in front of office pot plants (that is to
say, ‘jungle foliage’). Um, yeah… just the slightest bit unconventional.
But whatever works: the film got financed!
By
the time the film proper got underway I was off doing other
things, but I stuck around long enough to sculpt this baby
pterodactyl.
In
the story our intrepid adventurers blunder across a nest of
pterodactyl eggs. One of the eggs gets cracked open and this
thing comes flopping out.
There
was no rocket science to this one – just a plastiline sculpture
over a wire armature, to be moulded in fibreglass and duplicated
in silicone rubber for that fleshy translucent look. The wings
were left off the sculpture to be fabricated separately out
of sheet silicone.
My
first instinct when sculpting this was to go for an embryonic,
half-formed look. Mr. Keen wanted something a little more
horror-movie nasty, so the final result was this emaciated,
“in the bath for a month” appearance. The happy little smile
on his face is unintentional!
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